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This work reproduces a detail from the “Parnaso”
by Raffaello. The painting has been made with
lime colours and pigments enriched with golden
foil details like the original work. |
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I have also reproduced the “Virgin of the Chair”. This
work has been realized for a bedhead. |
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This painting has been realized under commission. I have
first prepared the preliminary drawing with soft pastels
and white lead. The coloured version has been realized
on a panel with lime colours. At the end of the painting
I have realized the irregular borders, to obtain the
effect of an original fresco.
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Reproductions from Botticelli
These two reproductions, from
Botticelli, have been realized on a table of
seasoned timber, prepared with an old receipt
from the Tuscan Renaissance. As for the painting,
always using very old receipts, I have mixed
together natural pigments, eggs and other
natural ingredients. Some particulars are
enriched with golden foil. I have waited more
than six months to proceed to the final
protection. |
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This is a fresco realized on a fibreglass panel.
This is a detail from the Renaissance painter
“Perugino”.
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The Battle of Cascina
This is a reproduction of The Battle of
Cascina, made on coated paper fixed on a wooden
panel, with a passe-partout made of a cherry
tree veneering.
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This painting has been realized with the same
technique, but using a special and very old way
to assemble the timber. The subject is a new and
original version inspired by old paintings on
this theme.
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On your right side you can see a reproduction of
a fresco from the Castle of Buonconsiglio,
Trento (North of Italy). It represents the month
"August" and it is 173X128 cm. This painting was
realized on an external wall of a villa on the
lake Iseo. It is prepared with the old
Renaissance technique of fresco (dried fresco).
At the end, I put a patina to give it the
impression of an old painting, in harmony with
the rest of the villa.
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